Volume 8, Issue 1
June 2020

The Graphic Label Was Raised as a Visual Means of Communication to the Values and Behavior of the Individual Dr. Ihsan Elrabaie International Journal of Art and Art History, 8(1), pp. pp. 1-6
DOI: 10.15640/ijaah.v8n1a1      URL: http://dx.doi.org/10.15640/ijaah.v8n1a1
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An Outlet for Dissent: Artistic Link in Ben Shahn’s Postwar Illustrations Hsiao-Wei Huang International Journal of Art and Art History, 8(1), pp. pp. 7-34
DOI: 10.15640/ijaah.v8n1a2 URL: http://dx.doi.org/10.15640/ijaah.v8n1a2
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The Development of Roman Military Costume on English Church Monuments Clive J Easter International Journal of Art and Art History, 8(1), pp. 35-47
DOI: 10.15640/ijaah.v8n1a3      URL: http://dx.doi.org/10.15640/ijaah.v8n1a3
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A New Art History of Australian Aboriginal Art Dr Vanessa Russ International Journal of Art and Art History, 8(1), pp. pp. 48-57
DOI: 10.15640/ijaah.v8n1a4      URL: http://dx.doi.org/10.15640/ijaah.v8n1a4
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Details and Expression. Giovanni Morelli’s Model and Aby Warburg’s “Types” in Connection with Experimental Psychology during the 19th century Eleonora Del Riccio International Journal of Art and Art History, 8(1), pp. pp. 58-66
DOI: 10.15640/ijaah.v8n1a5      URL: http://dx.doi.org/10.15640/ijaah.v8n1a5
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Ibrahim Mahama’s Immersive Taxidermies at Play — An Epitaph from a Living-Dead kąrî’kạchä seid’ou International Journal of Art and Art History, 8(1), pp. pp. 67-85
DOI: 10.15640/ijaah.v8n1a6      URL: http://dx.doi.org/10.15640/ijaah.v8n1a6
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Historical Perception of Visual Art Forms in Anlo Traditional Marriage Rites in Ghana Godwin Gbadagba, Agbeyewornu Kofi Kemevor (PhD), Prosper Kwaku Asiedu International Journal of Art and Art History, 8(1), pp. pp. 1-6
DOI: 10.15640/ijaah.v8n1a7      URL: http://dx.doi.org/10.15640/ijaah.v8n1a7
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